Working as Choreographer and Creative Director, Tony Adigun developed a
movement language that existed in direct conversation with the project’s
sonic and visual world. Rather than treating projection as a backdrop, the
creative process explored how the body could intersect with, respond to
and become part of the projected image — allowing movement, light and
digital content to continually reshape one another.
The choreography was developed alongside Digital Roses’ distinctive fusion
of ambient noise, experimental electronica and soulful vocal composition,
with musicians performing live within the work. This created an exchange
between physical movement and live sound, allowing rhythm, texture and
musical improvisation to influence the dancers in real time.
Tony’s approach centred on dissolving the boundaries between disciplines.
Bodies moved through projected environments; live musicians became part
of the visual composition; and choreography operated alongside sound,
image and technology as an equal storytelling language.
The result was an immersive contemporary performance world positioned
somewhere between live music, dance, installation and audiovisual art —
reflecting Digital Roses’ experimental approach while extending their sonic
identity into physical space.
