TONY ADIGUN

Creative Director, Choreographer, Filmmaker, Artist

Tony Adigun is a man of many hats: Creative director, curator, choreographer, dancer, educator, and mentor all worn with the same signature passion and style.

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CIRQUE DU SOLEIL

Through TONY ADIGUN’s direction, Cirque du Soleil tries more than ever to push the limits of the imagination, to amaze and continually surprise the viewer.

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GOT TO DANCE

Tony Adigun was hired for auditioning/casting of a nationwide tour of GOT TO DANCE to seek the best raw talent in the UK. Extensive research and consultation took place prior to entering any studio.

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Tony Adigun solidified a close working relationship with Paloma Faith during the creative process of the hit single ‘Til I’m done. With intimate one-on-one movement directing sessions with Paloma, we were able to choreograph and direct her movement accordingly.

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S.C.R.U.M.

S.C.R.U.M. is a unique outdoor piece and presents 3rd manifestation of the world of Illegal Dance. Scrum sits alongside The Rule of Seven film and The Rio Immersive Experience in no particular order.
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Fagin’s Twist is the untold story of a notorious and complex villain.

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“Adigun’s slick and compact choreography is a dominating factor, establishing character and relationships, and pulsating with momentum and musicality”

graham-watts
Graham watts DANCE CRITIC

“Fagin’s Twist, is a daring, dynamic and hugely enjoyable rethink of a much loved Victorian tale.”

Debra Caine
Debra Craine THE TIMES

“Street dance might seem an odd style for a Dickensian tale, but in choreographer Tony Adigun’s imaginative if flawed version of Oliver Twist”

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Sanjoy Roy THE GUARDIAN

“High energy, precision crafted choreography creates a dark twist on a classic tale”

Rachel Elderkin
Rachel Elderkin THE STAGE

THE QUEEN'S HOUSE

Choreographed by creative director Tony Adigun ‘The House’ is a specially
commissioned spectacle marking the 400th anniversary of The Queen’s
House,
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Tony’s Work

Tony is the founder and Artistic Director of the cutting-edge hip-hop company Avant Garde Dance and continues to steer his ship into uncharted creative territory. Tony has a razor-sharp eye for composition, musicality, and form, which has allowed him to develop a unique dance vocabulary unique that has gained respect and admiration from the highest echelons of the dance industry.

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